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Painting Flowers or Succulents

by 
Birgit O'Connor

 

#1" Drama, Motion and Color"
#2"Achieving A Beautiful Glow By Under-Painting"
#3 " Painting Nature"
#4 - "Painting Paradise"
#5- Pour A Painting
#6 - After Hours
#7 - Indian Summer
#8-Painting Flowers or Succulents

#9 - "Mysterious Forest"
#10 - "Lace" (Negative Painting)
#11 - "Ocean Rocks"
#12 - "Sparkle Plenty"
#13 - "Canna and Water Drops"
PART 2   3  4 5
#14 - "White Petunias"
#15 - "Hydrangeas"
#16 Layering with Color for Luminosity

 

ex2

 

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 I am fascinated by the shape and deign of all of these forms. For me it is  not about painting a botanical rendering but by using the flower or succulents as vehicles.  In this demonstration you will be able to see how I work with a painting step by step to create the shadow and depth.

ex4

1.  I first begin with a light pencil out line to give me the general body of the shapes I will be working with, the structure. I try not to get lost in details it is not my intention to paint exactly what I am seeing - it is more of the essence. I do not worry about trying to match the exact botanical color - it is whatever feels the best to me.
After the pencil work is completed I begin to fill individual areas with variegated washes of color. Having different colors in the same area gives the illusion of texture.  To extend that further while the paper is still damp you may add drops of color or clear water. The differences in color will make the eye travel.

2.  After having an  idea of my lightest areas of color  I look for my darkest contrasts, this will help to amplify the lighter areas and to bring them forward.

ex5
ex1 3.  When I have the general idea of where I intend to go with the shadows, I will go back to the lighter areas looking where I would like to create a bend in a petal. To do this I will lay down a wash of clear water into specific areas then with a stroke of the brush add a stronger hue, and allow it to mix with the damp paper. 
To achieve a smoother transition between the colors, I lift the paper up and roll the colors around, I have the paint travel into the areas that are the natural channels for the color.

4.  I complete filling the page of  any open spaces . At this time there is a mixture of  flat and textured petals, so I will have an overall view of the final painting.

ex3
ex2 5.  I look to see which areas I would like to push into the background. I work them from a lighter wash into medium or dark. I want to enhance the lighter areas. This will make your eye first go to the lightest areas then travel back into the mixtures of shading.
   
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